![]() ![]() When you level for example a piano or guitar in the mix, this is as simple as having the upper range of the instruments, including the noise component (piano hammer noises, guitar picking noises) sit right in the mix first, and then use a broad EQ between 200 – 400Hz to adjust the lower range of the instrument by boosting or cutting. If you are not yet familiar with the classifications explained in this article, take some time to explore the possibilities of these on different sources – I’ll give you some typical examples but don’t limit yourself: on many, if not most of my DAW-channels, I’m using ALL of these EQs at different stages of the plug-in chain.ĮQing doesn’t have to be complicated – in the context of setting levels in your mix, EQs can be used in a very basic way. The book is a Complete Mix Methodology for the entire process from DAW preparation to delivery.īefore we dive into specific types of EQs, and where to use them, know that you will need to use a combination of these to cover all your EQ-needs in a mix. This is a look at the most popular classic types of EQs, from my best-selling book “YOUR MIX SUCKS”.
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